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Section 6 — Effect Parameters
Edit/Effect Parameters 3
REFL 1 LEVEL Range: 0 to 99
This parameter controls the level of the first pre-echo. This pre-level controls the echo send to the
Definition.
REFL 1 SEND Range: 0 to 99
This parameter controls the level of the first pre-echo, with the echo routed directly to the output.
REFL 2 TIME Range: 0 to 120 milliseconds
This parameter controls the delay time for the second pre-echo.
REFL 2 LEVEL Range: 0 to 99
This parameter controls the level of the second pre-echo. As a signal continues to bounce off the
different reflective surfaces (walls), it decreases in volume. This parameter should not be set too
high, to create a natural sounding echo.
REF 2 SEND Range: 0 to 99
This parameter controls the level of the second pre-echo, with the echo routed directly to the
output.
POSITN BAL (1 to 3) Ranges: -99 to +99
The Position Balance parameters simulate the depth of the room/hall. Think of these parameters
as three different microphones placed at various distances within the room/hall (the first is
closest to the front, the third is farthest from the front). When the range (volume) is higher for
POSITN BAL (1), the sound appears closer to the front, whereas a higher setting for POSITN BAL
(3) appears farther from the front, suggesting a deeper (wetter) room/hall.
MOD SRC 1 MOD SRC 2
DST 1 DST 2
MIN 1 MIN 2
MAX 1 MAX 2
These modulation parameters are explained in detail in Section 5 — Effect Concepts.
ROM-17 SMALL PLATE
ROM-18 LARGE PLATE
A plate reverb takes the vibrations from a metal plate and uses them to create a metallic sounding
reverb. SMALL PLATE is a tight sounding plate reverb, and LARGE PLATE simulates a larger
plate reverb. Small plate reverbs are most often used in the studio for drums and percussion,
while large plate reverbs are often used to enhance a vocalist’s performance.
Small Plate, Large Plate Reverb Signal Routing
Diffuser
Diffuser
L
LPF
Main
Outputs
LPF
R
Definition
(Decay Diffuser)
Definition
(Decay Diffuser)
BUS1 Left
BUS2 Left
BUS1 Right
BUS2 Right
The two plate reverb algorithms share exactly the same signal routing topology. The internal
- Welcome! 1
- Amplification 6
- Backing-up the O.S. Disk 8
- An Important Note ix 9
- Accessories 9
- Warranty 9
- Need More Help? 10
- Monthly Magazines 11
- Rear Panel Connections 12
- 2 Rear Panel Connections 13
- Rear Panel Connections 3 14
- Control Voltage Foot Pedal 14
- 4 Rear Panel Connections 15
- Rear Panel Connections 5 16
- Front Panel Controls 17
- Parametric Programming 18
- 8 Front Panel Controls 19
- FILE 2 GRAND PIANO 19
- Front Panel Controls 9 20
- Performance Controllers 21
- About Pressure 11 22
- Pressure (After-touch) 22
- Architecture 23
- About Memory 13 24
- Warning! 24
- Purchasing SIMMs 24
- Move jumper when 25
- MEM EXP JMP 25
- 18 About Memory 29
- About Instruments 30
- 20 About Instruments 31
- About Banks 32
- 22 About Banks 33
- Playing Instruments 23 34
- 24 Keyboard Range 35
- Instrument #2 — Bass 35
- Instrument #1 — Piano 35
- 26 About the Sequencer 37
- Saving Sequencer Data 39
- Managing Your System Headroom 41
- Managing Headroom 31 42
- Audio Track Headroom 42
- Parameter Illustrations 43
- Section 2 — System•MIDI 44
- 2 Edit/System•MIDI Parameters 45
- PEDAL (VOLUME / MOD) 45
- Edit/System•MIDI Parameters 3 46
- LEFT FOOT SW 46
- AUTO-LOOP FINDING (ON/OFF) 46
- MIDI Parameters 47
- Edit/System•MIDI Parameters 5 48
- MIDI IN MODE 48
- 6 Edit/System•MIDI Parameters 49
- MONO Modes 49
- MIDI CONTROLLERS (ON/OFF) 49
- Edit/System•MIDI Parameters 9 52
- MULTI CONTROLLERS 52
- ENTER PLAYS KEY 52
- Command/System•MIDI Page 53
- System•MIDI Commands 11 54
- COPY O.S. TO DISK 54
- 12 System•MIDI Commands 55
- SAVE GLOBAL PARAMETERS 55
- LOAD GLOBAL PARAMETERS 55
- CREATE DIRECTORY 55
- System•MIDI Commands 13 56
- CHANGE STORAGE DEVICE 56
- SAVE MACRO FILE 56
- COPY FLOPPY DISK 56
- 14 System•MIDI Commands 57
- MIDI SYS-EX RECORDER 57
- LOAD MIDI 58
- FILE 1 - SYS-EX FILE 58
- 16 System•MIDI Commands 59
- COPY SCSI DRIVE 59
- SCSI Drive Hook-Up 59
- 18 System•MIDI Commands 61
- INSERT NEXT BACKUP DISK 61
- System•MIDI Commands 19 62
- INSERT DISK #1 62
- Notes About BACKUP/RESTORE 62
- 20 System•MIDI Commands 63
- FORMAT SCSI DRIVE 63
- About Macros 23 66
- Invoking a Direct Macro 66
- Instruments 67
- 2 About Instruments and Banks 68
- 4 About Instruments and Banks 70
- To Load a Bank 70
- FILE 4 SOUND BANK 1 70
- Performance Presets 72
- About Performance Presets 7 73
- Creating a Performance Preset 73
- PRESET NUMBER=1 *UND* 73
- 8 About Performance Presets 74
- Edit/Instrument Page 75
- 2 Edit/Instrument Parameters 76
- Programming Patches 76
- Edit/Instrument Parameters 3 77
- KEYDOWN LAYERS 77
- KEYUP LAYERS 77
- MIDI OUT CHANNEL 77
- 4 Edit/Instrument Parameters 78
- MIDI OUT PROGRAM 78
- PRESSURE MODE 78
- Edit/Instrument Parameters 5 79
- MIDI STATUS 79
- Edit/Instrument Parameters 7 81
- INST (Key) RANGE 81
- XPOS OCT - SEMI (Transpose) 81
- Command/Instrument Page 82
- Command/Instrument Page 9 83
- SAVE INSTRUMENT 83
- SAVE BANK 83
- Command/Instrument Page 11 85
- DELETE INST EFFECT 85
- Section 5 — Effect Concepts 86
- INST (Instrument) Effects 87
- BANK Effect 87
- ROM Effect 87
- Selecting Effects 88
- Instruments and Banks 90
- 6 Selecting Effects 91
- Programming Effects 92
- 8 Selecting Effects 93
- Single Function Effect Mixer 93
- Dual Function Effect Mixer 93
- Selecting Effects 9 94
- Triple Function Effect Mixer 94
- Selecting Effects 11 96
- Edit/Effects Page 98
- ROM-01 HALL REVERB 98
- ROM-02 44KHZ REVERB 98
- ROM-03 ROOM REVERB 98
- ROM-04 DUAL DELAYS 99
- ROM-05 44KHZ DELAYS 99
- ROM-06 CHORUS+REVRB 99
- ROM-07 PHASER+REVRB 100
- ROM-08 FLANGER+REV 101
- ROM-09 ROT. SPKR+REV 101
- ROM-10 CHOR+REV+DDL 102
- ROM-11 CMP+DIST+REV 103
- CMP+DIST+REV Signal Routing 103
- ROM-12 DIST+CHO+REV 104
- ROM-13 WAH+DIST+REV 105
- ROM-14 SMALL ROOM 106
- ROM-15 LARGE ROOM 106
- ROM-16 HALL REVERB2 106
- 2 Edit/Effect Parameters 107
- ROM-17 SMALL PLATE 108
- ROM-18 LARGE PLATE 108
- 4 Edit/Effect Parameters 109
- ROM-19 REVRSE REVRB 110
- ROM-20 REVRSE REVB2 111
- ROM-21 GATED REVERB 112
- 8 Edit/Effect Parameters 113
- Section 6 — Effect Parameters 114
- Edit/Effect Parameters 9 114
- ROM-22 NLIN REVRB 1 115
- ROM-23 NLIN REVRB 2 115
- ROM-24 NLIN REVRB 3 115
- Edit/Effect Parameters 11 116
- ROM-25 MULTITAP DDL 117
- ROM-26 EQ + DELAY LFO 118
- 14 Edit/Effect Parameters 119
- ROM-27 VCF+DISTORT 120
- ROM-28 GUITAR AMP 1 121
- ROM-29 GUITAR AMP 2 121
- Edit/Effect Parameters 17 122
- ROM-30 GUITAR AMP 3 123
- Edit/Effect Parameters 19 124
- ROM-31 SPKR CABINET 125
- ROM-32 TUNABLE SPKR 125
- ROM-33 EQ+CHOR+DDL 126
- 22 Edit/Effect Parameters 127
- ROM-34 EQ+VIBR+DDL 128
- 24 Edit/Effect Parameters 129
- ROM-35 EQ+FLNGR+DDL 130
- 26 Edit/Effect Parameters 131
- ROM-36 EQ+TREM+DDL 132
- ROM-37 PHASER+DDL 133
- Edit/Effect Parameters 29 134
- Phaser+DDL Signal Routing 134
- ROM-38 8-VOICE CHOR 135
- ROM-39 PITCH SHIFT 136
- 32 Edit/Effect Parameters 137
- ROM-40 PITCH+DDL 138
- ROM-41 FAST PITCHSH 139
- ROM-42 EQ+CMPRESSOR 140
- 36 Edit/Effect Parameters 141
- Edit/Effect Parameters 37 142
- ROM-43 EXPANDER 143
- ROM-44 KEYED EXPNDR 144
- 40 Edit/Effect Parameters 145
- ROM-45 INVRS EXPNDR 146
- ROM-46 DE-ESSER 147
- Edit/Effect Parameters 43 148
- ROM-47 DUCKER 149
- Edit/Effect Parameters 45 150
- ROM-48 RUMBLE FILTR 151
- ROM-49 PARAM EQ 151
- ROM-50 VAN DER POL 152
- What is Sampling? 153
- What is Sampling? 143 154
- Sample Rate 154
- Aliasing 154
- Getting Ready to Sample 155
- Easy Sampling 155
- Easy Sampling 145 156
- 146 Easy Sampling 157
- PICK SAMPLE INSTRUMENT 157
- Level-Detect 157
- (or VU) Mode: 157
- Easy Sampling 147 158
- Setting the Input Level 158
- RECORDING xxx SEC LEFT 158
- 148 Easy Sampling 159
- PLAY ROOT KEY OR ENTER 159
- Normalizing Gain 159
- Default Output Routings 159
- MultiSampling 160
- Stereo Sampling 162
- Companion Layers 163
- STEREO LAYER LINK=ON 163
- Looping 153 164
- Auto-Loop Finding 164
- Short (Single-Cycle) Loops 165
- 154 Looping 165
- Looping 155 166
- Adjusting Loop Position 166
- Long Loops 166
- 156 Looping 167
- Sampling Parameters 168
- 2 Sampling Parameters 169
- SAMPLE RATE 169
- PRE TRIGGER 169
- Sampling Parameters 3 170
- SAMPLE TIME 170
- 4 Sampling Parameters 171
- SELECT A STEREO LAYER 171
- About WaveSamples 172
- 2 WaveSample Configuration 173
- About WaveSamples 3 174
- WaveSample Commands 175
- Modulators 176
- 6 Modulators 177
- Modulation Sources 177
- Modulators 7 178
- 8 Modulators 179
- Modulators 9 180
- Edit/Wave Page 181
- Loop Parameters 182
- Edit/Wave Page 3 183
- MOD / SRC 183
- MOD AMT / RANGE 183
- 4 Edit/Wave Page 184
- Command/Wave Page 185
- About Loop Commands 186
- Command/Wave Page 7 187
- CROSS FADE LOOP 187
- 8 Command/Wave Page 188
- REVERSE CROSS FADE 188
- ENSEMBLE CROSS FADE 188
- Command/Wave Page 9 189
- BOWTIE CROSS FADE LOOP 189
- 10 Command/Wave Page 190
- BIDIRECTIONAL X-FADE 190
- Command/Wave Page 11 191
- COPIES WILL CHANGE-OK? 191
- MAKE LOOP LONGER 191
- 12 Command/Wave Page 192
- SYNTHESIZED LOOP 192
- 14 Command/Wave Page 194
- COPY WAVE PARAMETERS 194
- About Mix, Merge, and Splice 196
- 1st WaveSample 2nd WaveSample 197
- 2nd WaveSample 197
- Command/Amp Page 19 199
- FADE OUT 199
- Before: After: 199
- REPLICATE DATA 201
- Command/LFO Page 23 203
- SCALE DATA 203
- Edit/Pitch Page 204
- Command/Pitch Page 205
- Pitch Commands 3 206
- 4 Pitch Commands 207
- COPY PITCH TABLE 207
- DELETE PITCH TABLE 207
- EXTRAPOLATE PITCH TBL 207
- ASR-10 Filters 208
- Edit/Filters Page 209
- Edit/Filters Parameters 7 210
- Edit/Amp Page 211
- Edit/Amp Parameters 9 212
- A - B FADE IN - TO 212
- C - D FADEOUT - TO 212
- 10 Edit/Amp Parameters 213
- FADECURVE 213
- OUT (Output Routing) 213
- ASR-10 Envelopes 214
- HARD VEL LEVELS 215
- SOFT VEL LEVELS 215
- 2ND RELEASE (TIME) - LEV 216
- ATTACK TIME VEL AMT 217
- KBD TIME SCALING 217
- SOFT VEL CURVE 217
- ENVELOPE MODE 218
- ENVELOPE (Envelope Template) 218
- Envelope Templates 219
- Edit/LFO Page 220
- Edit/LFO Parameters 19 222
- LFO MODE 222
- DEPTH MOD - AMOUNT 222
- RATE MOD - AMOUNT 222
- Edit/Layer Page 223
- GLIDE MODES 224
- Edit/Layer Parameters 23 226
- STEREO LAYER LINK 226
- Command/Layer Page 227
- Sequencing on the ASR-10 228
- Compare this to an 228
- Record Stop 230
- Continue 230
- 4 Sequencer Basics 231
- Important: 231
- Sequencer Basics 5 232
- Selecting a Sequence/Song 233
- Playing a Sequence/Song 233
- Sequence Tracks 234
- Creating a New Sequence 234
- Recording a Sequence 235
- Recording a Sequence 9 236
- “Punching In” on a Track 236
- 10 Recording a Sequence 237
- Additional Notes 237
- To additional 238
- MIDI devices 238
- 12 Recording a Sequence 239
- Recording MIDI Tracks 239
- Recording a Sequence 13 240
- Recording Program Changes 240
- 14 Recording a Sequence 241
- Song Mode 242
- 16 Song Mode 243
- Song Mode 17 244
- Song Tracks 245
- Song Mode 19 246
- 20 Song Mode 247
- About Audio Tracks 248
- 22 About Audio Tracks 249
- About Audio Tracks 23 250
- Types of Audio Tracks 251
- About Audio Tracks 25 252
- Song Audio Tracks 252
- All About Memory 253
- About Audio Tracks 27 254
- Memory Fragmentation 254
- RAM Buffers 254
- 1. Select the sample rate 255
- 2. Configure the Audio Tracks 255
- 3. Choose a Record Source 255
- 4. Prepare the Audio Tracks 255
- About Audio Tracks 29 256
- Step Two 256
- 30 About Audio Tracks 257
- About Audio Tracks 31 258
- 32 About Audio Tracks 259
- About Audio Tracks 33 260
- 34 About Audio Tracks 261
- Step Three 261
- : Choosing a Record Source 261
- INPUT+FX Signal Chain Routing 263
- MAIN-OUT Signal Chain Routing 264
- 38 About Audio Tracks 265
- Step Four 265
- : Preparing Audio Tracks 265
- About Audio Tracks 39 266
- IF: THEN: 266
- Audio Tracks in “Chain Play”: 266
- 40 About Audio Tracks 267
- Which Track is Selected? 267
- Tie the Jack to the Track 267
- Overdubbing 268
- 42 About Audio Tracks 269
- Amalgamation 269
- About Audio Tracks 43 270
- 44 About Audio Tracks 271
- About Audio Tracks 45 272
- 46 About Audio Tracks 273
- Bounce-Down 274
- 48 About Audio Tracks 275
- Notes on Bounce-down: 275
- Song Audio Track Mixdown 276
- Caution: 277
- About Audio Tracks 51 278
- System Optimization Tips 279
- AudioSample Specs 279
- About Audio Tracks 53 280
- 54 About Audio Tracks 281
- About Audio Tracks 55 282
- The Edit/Seq•Song Page 283
- Edit/Seq•Song Parameters 3 285
- SEQ COUNTOFF 285
- SEQ REC MODE 285
- Command/Seq•Song Page 287
- 6 Seq•Song Commands 288
- SAVE SONG AND ALL SEQS 288
- RENAME SONG/SEQUENCE 288
- SEQUENCER INFORMATION 288
- Seq•Song Commands 7 289
- ERASE SONG + ALL SEQS 289
- APPEND SEQUENCE 289
- CHANGE SEQUENCE LENGTH 289
- 8 Seq•Song Commands 290
- EDIT SONG STEPS 290
- Seq•Song Commands 9 291
- ERASE ALL AUDIOSAMPLES 291
- SET SONG ATRK PLAYBACK 291
- Edit/(sequence) Track Page 292
- Edit/Track Parameters 11 293
- MIX - PAN 293
- Track MIX 293
- 12 Edit/Track Parameters 294
- Track PAN 294
- EFFECT MOD CONTROL 294
- Edit/Track Parameters 13 295
- MULTI-IN MIDI CHAN 295
- Edit/(audio) Track Page 296
- 16 Audio Track Parameters 298
- ASMPLNAME (AudioSample Name) 298
- Command/Track Page 299
- 18 Track Commands 300
- ERASE/UNDEFINE TRACK 300
- FILTER EVENT 300
- * * * * * * 301
- BEATCMD CLOCKBAR 302
- Track Commands 21 303
- Event Location 303
- CMD CLOCKBAR 304
- Track Commands 23 305
- SCALE EVENT 305
- SHIFT TRACK BY CLOCKS 305
- Command/(audio) Track Page 306
- Track Commands 25 307
- ERASE AUDIO TRACK 307
- SHIFT AUDIO TRACK 307
- Track Commands 27 309
- AUDIOSAMPLE INFO 309
- 28 Track Commands 310
- FILTER AUDIO EVENTS 310
- Section 14 — Storage 311
- 2 Disk Storage 312
- ASR-10 Disk Functions 313
- 4 Disk Functions 314
- Loading an Instrument 315
- INST STOP 316
- STOPINST 318
- Sequencer Data Storage 9 319
- 10 Sequencer Data Storage 320
- 12 Loading and Saving Effects 322
- Loading an Effect File 322
- Saving an Effect to Disk 322
- Deleting a File from Disk 323
- Audio Track Storage 324
- 16 Audio Track Storage 326
- 18 Audio Track Storage 328
- Deleting: 328
- MIDI Sys-Ex 19 329
- System Exclusive Storage 329
- 20 MIDI Sys-Ex 330
- MIDI Sys-Ex 21 331
- System Exclusive Messages 331
- ASR-10 Disk Messages 332
- Disk Messages 23 333
- Resampling through an EQ 1 334
- Record a Dry Sample 334
- 2 Resampling through an EQ 335
- Resampling through an EQ 3 336
- Resampling with Effect 336
- 4 Resampling through an EQ 337
- Resampling through an EQ 5 338
- 6 Resampling through an EQ 339
- Applications 1 340
- Creating Keyboard Cross Fades 341
- Applications 3 342
- 4 Applications 343
- 2 MIDI Connections 346
- Creating a MIDI Instrument 346
- SQ-R PLUS 32 Voice 346
- Making a MIDI Instrument 3 347
- 4 MIDI Sequencer Applications 348
- MIDI InMIDI Thru 349
- MIDI Out 349
- MIDI Thru 349
- 6 MIDI Sequencer Applications 350
- Using MONO A Mode 352
- Using MONO B Mode 353
- Converter 353
- Patch Selects and Presets 354
- Song Position Pointers 355
- Delay Times/Tempo BPM Chart 356
- An Audio Track Tutorial 361
- An Audio Track Tutorial 5 362
- 6 An Audio Track Tutorial 363
- KEEP = OLD NEW 363
- 8 An Audio Track Tutorial 365
- An Audio Track Tutorial 9 366
- Appendix 367
- 44EQ+DDL 368
- 44DDL+CH+REV 369
- 44DDL+CHORUS 370
- 44DLYLFO+REV 371
- 44EQ+DDL+CHO 372
- 44PARAM EQ 372
- 44EQ+REVERB 373
- 44ROTO+REVRB 374
- 44EQ+ROT+DDL 375
- Additional Effect Parameters 381
- ASR-10 MIDI Implementation 382
- Registered Parameters 382
- MIDI Implementation XVII 383
- Version: 2 383
- Conversion Table 243 387
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