ENSONIQ ASR-10 Bedienerhandbuch PDF herunterladen (Seite 106)

Section 6 — Effect Parameters

Edit/Effect Parameters 1

ROM-14 SMALL ROOM

ROM-15 LARGE ROOM

ROM-16 HALL REVERB2

These three algorithms offer a studio quality reverb that can be controlled with a high degree of

precision. The BUS1 and BUS2 parameters can be routed into the effect with different Dry/Wet

mixes. BUS3 is a dry path. SMALL ROOM provides ambience; LARGE ROOM provides a larger

ambience, and HALL REVERB2 is a large acoustic space providing a high density reverb.

SMALL ROOM, LARGE ROOM, HALL REVERB2 Signal Routing

Diffuser

Main

Outputs

BUS1 Left

BUS2 Left

LPF

Definition

(Decay Diffuser)

Echo TimeEcho Time

DiffuserLPF

LPF

Definition

(Decay Diffuser)

Echo TimeEcho Time

BUS1 Right

BUS2 Right

These three reverb algorithms share essentially the same signal routing topology. The signal

enters a low pass filter and goes directly through the diffusers which smear the signal. The signal

is then routed to a larger decay diffuser, known as Definition, and is diffused over a period of

time (creating a decay). There are taps from both the left and right Definition that are routed to

the output to create a synthesized stereo output. A signal from the Definition goes through a low

pass filter followed by a low frequency decay parameter, which controls the rate of decay of the

low frequencies. There is also a parameter at this stage that controls the decay time of both the

left and right signals. The left and right signals are routed back into the Definition. There are

two echo times between the diffuser and the definition that can be routed directly to the output,

or sent back through the definition. The BUS1 and BUS2 MIX parameters allow you to create a

Dry/Wet mix. BUS3 (not shown) is a dry signal.

The parameters available for these three algorithms are:

DECAY TIME Small Room Range: 0.20 to 100.0 sec.

Large Room Range: 0.20 to 150.0 sec.

Hall Reverb2 Range: 0.70 to 250.0 sec.

Controls the amount of time it takes for the reverberation to decay away to a very low level after

the input signal stops. In the room reverbs we don’t recommend higher settings, which tend to

create an infinite and unnatural sustain. Since most rooms don’t naturally have a large decay, set

this low for the best sound. However, higher values are recommended for the hall reverb.

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