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Audio Track Recording
l If an AudioSample is changed or deleted as the result of a punch-in, any Audio Trigger
Events after the punch-out point that trigger any of the changed or deleted AudioSamples
will be silenced during Audition.
l See the punch-in examples below for more details.
e
Note about Auditioning DiskTracks: If punching in on an existing AudioSample, the
Audition playback requires much more disk activity than what it would after a KEEP=NEW.
(This is because selecting KEEP=NEW converts the two separate AudioSamples into one
AudioSample, eliminating disk fragmentation if possible.) Therefore, you are more likely to
experience missed audio playback during Audition.
Amalgamation
Amalgamation is the way the ASR-10 automatically tries to unite all punched-in AudioSamples
into one AudioSample, which helps to avoid disk fragmentation.
Amalgamation of SCSI-based AudioSamples may require free disk space to build the
amalgamated AudioSample. This means that you might encounter a scenario wherein there is
enough room on disk to record, but not enough room to amalgamate. In this case, keeping NEW
after a punch-in will keep the NEW AudioSample without amalgamating it.
Punch-In Cases for Audio Track Overdubbing
Examples 1-5 describe the most common punch-in situations:
PUNCH-IN TABLE
In the following examples:
Audio Trigger event:
1 Original data of AudioSample 1: IABCDEFGHIJKLMNOPQRSTU~XYZ
I
Audio Trigger event:
v
Data that you punch-in (AudioSample 2): abcdefghijklmnopqrstuvwxyz
PUNCH-IN Example 1:
(Punch-in and out occur during AudioSample 1)
1 Audio Trigger event:
Iv
I
Original data of AudioSample 1: ABCDEFGHIJKLMNOPQRSTUVWXYZ
Data that you punch-in (AudioSample 2):
. . . . . . . . . . abcdef . . . . . . . . . .
What you audition: ABCDEFGHIJabcdefQRSTmWXyZ
Audio Trigger event:
v
What you keep:
ABCDEFGHIJabcdefQRSTVw?TxYZ
Note: AudioSample 1 data has changed. It is the same size.
56
ENSONIQ
AS&l
0 Version 3 Operating System
- ENSONi’a]‘” 1
- READ THIS FIRST! 2
- Advanced Sampling Recorder 3
- Version 3 Operation System 3
- Table of Contents 5
- Troubleshooting 8
- List of Tips 10
- What’s New in 3.0 11
- What’s New in 2.5 11
- What’s New in 2.0 11
- What’s New in 1.5 12
- Backing Up the O.S. Disk 13
- Introduction 14
- New Command/Instrument Pages 15
- How To Import Akai Samples 16
- LOAD DEVICE 16
- F'RRTITI2r"l=X 16
- PARTITION 16
- RANGE LO HI Ranges: 17
- NEW NAME 18
- RM2THER? 18
- (ENTER-YES] 19
- DEVItE=XXXXXX 20
- RANGE LO HI 21
- II”)PORTII”IG 21
- Memory Limitations 23
- Layer Limitations 24
- Final Suggestions 25
- New System*MIDI Parameters 27
- ENTER-YES). YOU 28
- ENTER-YES) button. You have 28
- ENTER-YES]. The WaveSample 28
- NTER-YES) repeatedly, and 28
- BRCKUPIREST08E 29
- Please Note the Following! 30
- Caution!Caution! 30
- Sample DAT 31
- What You Need To Get Started 32
- SCSI Review 33
- DAT BACKUP 34
- Select the DAT BACKUP Command 35
- Go Ahead 35
- RECORD-ENTER 37
- COflPLETE 37
- SYSTEM STOP 38
- VERIFY,----OF 38
- DAT RESTORE 39
- DAT VERIFY 40
- User Retry 41
- COMMAND) 42
- Audio Track Recording 43
- Give It a Try! 43
- An Audio Track Tutorial 43
- Play Along with the Sequence 44
- Record Your First RAMTrack 45
- Press Play and Enjoy! 45
- Master Directly to DAT 45
- Save your Work 45
- Caution: 46
- GI’SK-HIT EMTER 47
- Infernal RAM Memory 48
- Types of Audio Tracks 49
- Song Audio Tracks 50
- All About Memory 51
- DiskTrack 53
- recording: 53
- Auditioning DiskTracks 56
- PLRYIREC=OFF 57
- 1 or 2 Inputs? 58
- INPUT+FX Signal Chain Routing 60
- MAIN-OUT Signal Chain Routing 61
- ENTER-YES) (when the 62
- Audio Tracks in “Chain Play” 63
- Which Track is Selected? 64
- Tie the Jack to the Track 64
- Overdubbing 65
- Amalgamation 66
- Audio Triaaer event: 69
- Bounce-Down 71
- Bounce-Down 72
- 240-2 Bounce-Down 72
- Notes on Bounce-down: 72
- Song Audio Track 73
- Audio Track Storage 74
- .&ution: 75
- BRNK MRIIE=RJRK JUT 76
- DELETE EL 76
- L’ERSIEN? 76
- Deleting: 79
- To Delete a RAM AudioSample: 79
- Delete a SCSI AudioSample: 79
- SRL’E GL3BRL 81
- PRRRflETERS 81
- 72 ENSONIQ 82
- New Sequencer Parameters 83
- COMMAND) will leave them 86
- New (Audio) Track Parameters 87
- RSf:PLNFI17E=RS::PL--u”CO3U 88
- RflE=‘U1‘1CEFI1”1ED* 88
- AUDIO TRACK) button) 91
- Caution:Caution: 92
- System Optimization Tips 95
- AudioSample Specs 95
- INSTRUMENT), and 97
- ENTER-YES to begin 97
- ENTER-YES), or selecting an 99
- ENTER-YES) 100
- Effect Parameters 102
- Additional Effect Parameters 116
- SP-3 SCSI Interface Manual 117
- Getting Started 118
- SCSI Terminators 119
- ~.WZllTliilg: 121
- Selecting the Storage Device 123
- ENTER-YES) 125
- Managing Disk Files 127
- Directories 128
- Directory Commands 129
- Directory Recommendations 130
- I I I I 1 130
- File Paths 131
- Bank Files 131
- Direct-MacrosTM 132
- TRACK) locations contain 135
- INSTRUMENT), and continue 137
- Limited Warranty for the SP-3 138
- What is the DI-10 Digital 139
- Interface? 139
- About the Digital Input 139
- Easy All-Digital Sampling 140
- Starting to Record 141
- Normalizing Gain 142
- Default Output Routings 142
- About the Digital Output 142
- DI-10 Appendix 143
- DI-10 Digital 144
- Glossary 145
- Version 3 Index 147
- DEFINITION 101 148
- MAIN-OUT48,61 150
- SAVE THESE INSTRUCTIONS 153
- EN50NiPI”’ 154
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